pg 417 20 Jan 2015 08:28 pm

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Author Comments:

daidaishar, 20 Jan 2015 08:46 pm


Stupid vampires and their stupid fancy furniture.

Joan is all kinds of unhappy about being in a castle full of vampires. Propping the door closed with the chair might not do much to stop one, but it makes her feel better.

replies:

re Arrikanez: Healing doesn't have a strong alliance with either Lunar or Solar, so you aren't tied to either of them the way Fire or Water might be. Solar's champion Pheonix is an asshole, so I'm going to say that you know but avoid him. Lunar's Eira is nicer, but a little too no-nonsense for me to think of her as a likely friend for you. She does have a band of warriors that follows her, so she probably greatly appreciates you visiting to check in on their well being.

re Imola: I saw it, and I just couldn't pass it up.

re Lusewing: Well, my dragons are basically overgrown kitties. They can be quite cuddly, but unfortunately they also have that cat-like tendency to claw at people for no clear reason.

re man in black: One of Drake's magical powers is the ability to give anyone a headache.

re Eva Emaria: Drake has almost the exact opposite problem as Beast. He's a monster who's stuck as a human. Luckily for him there is no true love requirement for breaking the curse (as far as we know).

re Kadtie: I'm really enjoying drawing them together, so there will be plenty of Drake and Mina interactions.

Mina_Lunga: Pretty sure Joan gave herself the heebie jeebies with her repertoire of scary stories. Mina's home's size is partially due to vampires' constant struggle with boredom. Architecturally inclined subjects keep adding to the castle. Some areas aren't terribly structurally sound.

Advertisement, 26 Jan 2015 10:21 am


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User Comments:

Eva Emaria, 20 Jan 2015 09:40 pm


@Arrikanez Yes, yes, Eira will appreciate Aylis dropping by. Between the bezerker Gersemi and the hot head Herdis, not to mention the fact they are all tied to the Valkyrie myths... Well, injuries happen. A lot. Plus Brenda and him would EASILY be good buddies. She's engaged to a lovely lady that she won't shut up about. That and her general level of perky/hyperness drives the rest of them up the wall.

LOL He does! I totally didn't notice that, how funny. Well, it would be harsh if the true love thing was a component. Harsh and full of sad feels.

Oh. My. God. That bottom left panel. *dies from the wonder of that art* But did she sleep at all? She still looks so sleepy... Not necessarily a good thing in a castle full of vampires.

Imola, 20 Jan 2015 11:34 pm


Eh, hopefully the vampire who carved that door will be there to protect his/her tedious work if the angry vampire mob shows up.

Did you use refrence for panels 2 and 3? :)

man in black, 21 Jan 2015 07:09 pm


Sometimes false sense of security is the only kind of security

Mina_Lunga, 23 Jan 2015 03:55 pm


That is a beautifully rendered bed and door! Mucho congrats!

I like the idea of bad home construction by vampires. I bet they have a terrible sense of color, too, what with it always being dark when they're out.

Arrikanez, 24 Jan 2015 01:36 am


Aylis: I'm sorry for talking so much, I'm just intrigued. >>; And I probably do know Eira at that point, and probably don't particularly like Phoenix. Do I take orders from either of them? I mean, I'm not exactly bad about taking orders, but... it's nice to know who my bosses are. Even if one of them might be a bit... shall we say... unsociable.

Me: I am sorry about sort of... RPing him. I can stop if you like. XD He's just a fun character to play with, is all. Plus, I like learning about the Champions.

Kadtie, 24 Jan 2015 11:13 am


She must have had a hard time sleeping.

I laughed when I noticed the chair propped against the door. Have you ever actually tried to stop someone coming through a door with a chair? It doesn't work. At all.

Second to last panel is gorgeous. I love how she's holding her rosary for extra comfort.

doom Bubbles, 25 Jan 2015 04:54 pm


I really like the way this page is drawn, especially the second to last frame.

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